The Confucian Culture of Rituals and Filial Piety Translated in Tujia Ethnic Ballads: The Case of “My Buddy” and “An Itching Throat for Singing”

Guo Jing; Xu Jingcheng

doi:doi:10.11648/j.ijla.20210906.22

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The Confucian Culture of Rituals and Filial Piety Translated in Tujia Ethnic Ballads: The Case of “My Buddy” and “An Itching Throat for Singing”

Guo Jing, Xu Jingcheng

Published in International Journal of Literature and Arts (Volume 9, Issue 6)

Received: 10 October 2021 Accepted: 11 November 2021 Published: 23 November 2021

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Abstract

Ethnic ballads or folk songs as the treasure of a nation are rich in history, beliefs and humanistic spirit and play a significant role in cultural inheriting. Transmitted orally through generations, Enshi Tujia ethnic ballads with unique characteristics and styles reflect the local customs, preserve the local history and enrich cultural diversity. Since the Tujia culture is a mountainous agriculture, it is not difficult to understand why the Tujia people love singing and it is significant to explore how their ways of life are guided by Confucianism. This paper aims at interpreting the Confucian culture of rituals and filial piety behind two Tujia ballads which vividly represent the spirit and belief of the Tujia people. In the practice of translating those two ballads, the culture-loaded words are specially tended as the key factors in bettering readers’ appreciation of the original texts and further understanding of the Tujia culture. The translation strategies of domestication and foreignization are thus discussed alongside detailed interpretation of the underlying cultural connotation. As this essay concludes, these two folk songs show that the Tujia culture is greatly influenced by Confucianism which is, in particular, the ritual and filial piety culture. The Confucianism is manifested in the two ballads in terms of inquiring for shoe patterns, implication of handcrafts, the manner to respond to the parents and parental decision-making on marriage. Lastly, domestication and foreignization are considered as good translation strategies adopted to deal with Confucian culture-loaded words after meticulous investigation into the original and target cultures.

Published in	International Journal of Literature and Arts (Volume 9, Issue 6) This article belongs to the Special Issue Translation and Interpretation of 28 Chinese Tujia Minority Ballads
DOI	10.11648/j.ijla.20210906.22
Page(s)	336-343
Creative Commons	This is an Open Access article, distributed under the terms of the Creative Commons Attribution 4.0 International License (http://creativecommons.org/licenses/by/4.0/), which permits unrestricted use, distribution and reproduction in any medium or format, provided the original work is properly cited.
Copyright	Copyright © The Author(s), 2021. Published by Science Publishing Group

Keywords

Enshi Tujia Ethnic Ballads, Culture-loaded Words, Domestication and Foreignization, Confucianism

References

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Guo Jing, Xu Jingcheng. (2021). The Confucian Culture of Rituals and Filial Piety Translated in Tujia Ethnic Ballads: The Case of “My Buddy” and “An Itching Throat for Singing”. International Journal of Literature and Arts, 9(6), 336-343. https://doi.org/10.11648/j.ijla.20210906.22

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ACS Style

Guo Jing; Xu Jingcheng. The Confucian Culture of Rituals and Filial Piety Translated in Tujia Ethnic Ballads: The Case of “My Buddy” and “An Itching Throat for Singing”. Int. J. Lit. Arts 2021, 9(6), 336-343. doi: 10.11648/j.ijla.20210906.22

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AMA Style

Guo Jing, Xu Jingcheng. The Confucian Culture of Rituals and Filial Piety Translated in Tujia Ethnic Ballads: The Case of “My Buddy” and “An Itching Throat for Singing”. Int J Lit Arts. 2021;9(6):336-343. doi: 10.11648/j.ijla.20210906.22

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@article{10.11648/j.ijla.20210906.22,
  author = {Guo Jing and Xu Jingcheng},
  title = {The Confucian Culture of Rituals and Filial Piety Translated in Tujia Ethnic Ballads: The Case of “My Buddy” and “An Itching Throat for Singing”},
  journal = {International Journal of Literature and Arts},
  volume = {9},
  number = {6},
  pages = {336-343},
  doi = {10.11648/j.ijla.20210906.22},
  url = {https://doi.org/10.11648/j.ijla.20210906.22},
  eprint = {https://article.sciencepublishinggroup.com/pdf/10.11648.j.ijla.20210906.22},
  abstract = {Ethnic ballads or folk songs as the treasure of a nation are rich in history, beliefs and humanistic spirit and play a significant role in cultural inheriting. Transmitted orally through generations, Enshi Tujia ethnic ballads with unique characteristics and styles reflect the local customs, preserve the local history and enrich cultural diversity. Since the Tujia culture is a mountainous agriculture, it is not difficult to understand why the Tujia people love singing and it is significant to explore how their ways of life are guided by Confucianism. This paper aims at interpreting the Confucian culture of rituals and filial piety behind two Tujia ballads which vividly represent the spirit and belief of the Tujia people. In the practice of translating those two ballads, the culture-loaded words are specially tended as the key factors in bettering readers’ appreciation of the original texts and further understanding of the Tujia culture. The translation strategies of domestication and foreignization are thus discussed alongside detailed interpretation of the underlying cultural connotation. As this essay concludes, these two folk songs show that the Tujia culture is greatly influenced by Confucianism which is, in particular, the ritual and filial piety culture. The Confucianism is manifested in the two ballads in terms of inquiring for shoe patterns, implication of handcrafts, the manner to respond to the parents and parental decision-making on marriage. Lastly, domestication and foreignization are considered as good translation strategies adopted to deal with Confucian culture-loaded words after meticulous investigation into the original and target cultures.},
 year = {2021}
}

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TY  - JOUR
T1  - The Confucian Culture of Rituals and Filial Piety Translated in Tujia Ethnic Ballads: The Case of “My Buddy” and “An Itching Throat for Singing”
AU  - Guo Jing
AU  - Xu Jingcheng
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N1  - https://doi.org/10.11648/j.ijla.20210906.22
DO  - 10.11648/j.ijla.20210906.22
T2  - International Journal of Literature and Arts
JF  - International Journal of Literature and Arts
JO  - International Journal of Literature and Arts
SP  - 336
EP  - 343
PB  - Science Publishing Group
SN  - 2331-057X
UR  - https://doi.org/10.11648/j.ijla.20210906.22
AB  - Ethnic ballads or folk songs as the treasure of a nation are rich in history, beliefs and humanistic spirit and play a significant role in cultural inheriting. Transmitted orally through generations, Enshi Tujia ethnic ballads with unique characteristics and styles reflect the local customs, preserve the local history and enrich cultural diversity. Since the Tujia culture is a mountainous agriculture, it is not difficult to understand why the Tujia people love singing and it is significant to explore how their ways of life are guided by Confucianism. This paper aims at interpreting the Confucian culture of rituals and filial piety behind two Tujia ballads which vividly represent the spirit and belief of the Tujia people. In the practice of translating those two ballads, the culture-loaded words are specially tended as the key factors in bettering readers’ appreciation of the original texts and further understanding of the Tujia culture. The translation strategies of domestication and foreignization are thus discussed alongside detailed interpretation of the underlying cultural connotation. As this essay concludes, these two folk songs show that the Tujia culture is greatly influenced by Confucianism which is, in particular, the ritual and filial piety culture. The Confucianism is manifested in the two ballads in terms of inquiring for shoe patterns, implication of handcrafts, the manner to respond to the parents and parental decision-making on marriage. Lastly, domestication and foreignization are considered as good translation strategies adopted to deal with Confucian culture-loaded words after meticulous investigation into the original and target cultures.
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Author Information

Guo Jing

School of International Trade and Economics, Xinjiang University of Finance and Economics, Urumqi, China
Xu Jingcheng

Institute of Hermeneutics and Faculty of English Language and Culture, Guangdong University of Foreign Studies, Guangzhou, China

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Guo Jing, Xu Jingcheng. (2021). The Confucian Culture of Rituals and Filial Piety Translated in Tujia Ethnic Ballads: The Case of “My Buddy” and “An Itching Throat for Singing”. International Journal of Literature and Arts, 9(6), 336-343. https://doi.org/10.11648/j.ijla.20210906.22

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ACS Style

Guo Jing; Xu Jingcheng. The Confucian Culture of Rituals and Filial Piety Translated in Tujia Ethnic Ballads: The Case of “My Buddy” and “An Itching Throat for Singing”. Int. J. Lit. Arts 2021, 9(6), 336-343. doi: 10.11648/j.ijla.20210906.22

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AMA Style

Guo Jing, Xu Jingcheng. The Confucian Culture of Rituals and Filial Piety Translated in Tujia Ethnic Ballads: The Case of “My Buddy” and “An Itching Throat for Singing”. Int J Lit Arts. 2021;9(6):336-343. doi: 10.11648/j.ijla.20210906.22

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@article{10.11648/j.ijla.20210906.22,
  author = {Guo Jing and Xu Jingcheng},
  title = {The Confucian Culture of Rituals and Filial Piety Translated in Tujia Ethnic Ballads: The Case of “My Buddy” and “An Itching Throat for Singing”},
  journal = {International Journal of Literature and Arts},
  volume = {9},
  number = {6},
  pages = {336-343},
  doi = {10.11648/j.ijla.20210906.22},
  url = {https://doi.org/10.11648/j.ijla.20210906.22},
  eprint = {https://article.sciencepublishinggroup.com/pdf/10.11648.j.ijla.20210906.22},
  abstract = {Ethnic ballads or folk songs as the treasure of a nation are rich in history, beliefs and humanistic spirit and play a significant role in cultural inheriting. Transmitted orally through generations, Enshi Tujia ethnic ballads with unique characteristics and styles reflect the local customs, preserve the local history and enrich cultural diversity. Since the Tujia culture is a mountainous agriculture, it is not difficult to understand why the Tujia people love singing and it is significant to explore how their ways of life are guided by Confucianism. This paper aims at interpreting the Confucian culture of rituals and filial piety behind two Tujia ballads which vividly represent the spirit and belief of the Tujia people. In the practice of translating those two ballads, the culture-loaded words are specially tended as the key factors in bettering readers’ appreciation of the original texts and further understanding of the Tujia culture. The translation strategies of domestication and foreignization are thus discussed alongside detailed interpretation of the underlying cultural connotation. As this essay concludes, these two folk songs show that the Tujia culture is greatly influenced by Confucianism which is, in particular, the ritual and filial piety culture. The Confucianism is manifested in the two ballads in terms of inquiring for shoe patterns, implication of handcrafts, the manner to respond to the parents and parental decision-making on marriage. Lastly, domestication and foreignization are considered as good translation strategies adopted to deal with Confucian culture-loaded words after meticulous investigation into the original and target cultures.},
 year = {2021}
}

Copy | Download

TY  - JOUR
T1  - The Confucian Culture of Rituals and Filial Piety Translated in Tujia Ethnic Ballads: The Case of “My Buddy” and “An Itching Throat for Singing”
AU  - Guo Jing
AU  - Xu Jingcheng
Y1  - 2021/11/23
PY  - 2021
N1  - https://doi.org/10.11648/j.ijla.20210906.22
DO  - 10.11648/j.ijla.20210906.22
T2  - International Journal of Literature and Arts
JF  - International Journal of Literature and Arts
JO  - International Journal of Literature and Arts
SP  - 336
EP  - 343
PB  - Science Publishing Group
SN  - 2331-057X
UR  - https://doi.org/10.11648/j.ijla.20210906.22
AB  - Ethnic ballads or folk songs as the treasure of a nation are rich in history, beliefs and humanistic spirit and play a significant role in cultural inheriting. Transmitted orally through generations, Enshi Tujia ethnic ballads with unique characteristics and styles reflect the local customs, preserve the local history and enrich cultural diversity. Since the Tujia culture is a mountainous agriculture, it is not difficult to understand why the Tujia people love singing and it is significant to explore how their ways of life are guided by Confucianism. This paper aims at interpreting the Confucian culture of rituals and filial piety behind two Tujia ballads which vividly represent the spirit and belief of the Tujia people. In the practice of translating those two ballads, the culture-loaded words are specially tended as the key factors in bettering readers’ appreciation of the original texts and further understanding of the Tujia culture. The translation strategies of domestication and foreignization are thus discussed alongside detailed interpretation of the underlying cultural connotation. As this essay concludes, these two folk songs show that the Tujia culture is greatly influenced by Confucianism which is, in particular, the ritual and filial piety culture. The Confucianism is manifested in the two ballads in terms of inquiring for shoe patterns, implication of handcrafts, the manner to respond to the parents and parental decision-making on marriage. Lastly, domestication and foreignization are considered as good translation strategies adopted to deal with Confucian culture-loaded words after meticulous investigation into the original and target cultures.
VL  - 9
IS  - 6
ER  -

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